Gregzilla Games

Link to Part I/II.

With videogames I discovered a new medium that was really special and thrilling, they let me choose my own path and take control of a character in amazing fantasy worlds! I started thinking about how much I would love to be able of creating those universes someday.

As I was telling you before, when I was between 8 and 10 years-old  I played Super Nintendo games like Donkey Kong Country or Aladdin. Those, aside of being really funny, had a superb art that inspired my drawings a lot by the time. Also I loved drawing landscapes of the nature, I had to be good at it, since some schoolmates accused me of copying/cheating because they didn't believe I could be able to paint them all by myself. 

So I continued painting by pure hobby and inspiration, all of this followed by passion of someday becoming a game artist. I learned some Corel Draw in my free time and wrote short fairytales, that I also illustrated. You may think I studied arts since very young, but I got a little bit misguided and did a human-sciences bachelor in high school. But afterwards I was quite strongly determined to go after my dream of being an artist and with a lot of effort I passed the entrance test for Fine Arts University.

I loved animation subject, the teacher was Josep María Blanco, a brilliant professional. Also natural drawing inspired by human models was something I deeply enjoyed. Thanks to graphic design I reinforced my critical sense about texts styles, paragraphs, etc. I also remember how much I critizised some games that didn't take care of those issues. 

Yeah, I think we all are quite perfectionists at BeatutiFun Games. As a proof, in Nihilumbra you can see the smooth and well-finished texts of the game, the typography is really carefully selected for each language. But I'm still learning to be satisfied with a certain degree of perfection, because all the extremes are bad.

Not really, its a bit weird because, in spite I focused on learning everything I thought could be useful to make games, but somehow lost track and I ended up working in the graphic design area for web,  multimedia applications and advertising. After working during a stint on several companies, I was wondering what happened with my passion for doing art for videogames. And what a coincidence that one day I received a letter from the University where they informed about a videogame Masters Degree. That was a true temptation and the only thing that kept me back from signing up was the really high price. But my parents ended up convincing me, they told me that it could be paid in installments and, combining their help with some money that I earned working, we managed to pay it; so there I went, learning how to do art for videogames!

I started the course thinking absolutely in positive, trying to learn as much as possible, especially about the technical side of how video games were made, that was amazing for me. And also the technological side was my weakest point in my curriculum after I did my Fine Arts studies. Also I enjoyed very much attending conferences by industry professionals who came around to share their experience with us. There I had also the chance to meet great people, with the same tastes than me, and as a consequence of this, some of us ended up founding BeautiFun Games.

It was a game we based on experimentation, trying out different ideas each member of the group had. The game aesthetics were very important, since we had two worlds, the dreamy and the nightmarish, it was a challenge to keep the art of each world different and related at the same time. I got the idea of how to change the appearance of the environment from dreamy to nightmarish and vice-versa from watching a seaweed that reacted by hiding when it was touched. The programmers played with the shaders to try to change the textures progressively and in a stylized way. It was quite a complex project for beginners like us, when we tought a problem/bug was solved, another issue emerged somewhere else. Also I found fascinating how things were done internally in our game, we learned a lot from other commercial games and how they solved those problems. As an example, I remember we studied Alan Wake and how it used the flashlight in each position and situation, and also how commercial games tried to avoid or dissimulate tiling. 

I met Aniol because we shared the same passion about game development process. We were both curious about all the aspects needed, since our goal was to be able to make a complete game. In fact  I was the first person who encouraged Aniol it would be a great idea to create a videogame company, he liked it and after the Masters Degree he surprised everyone from our group with the company creation purposal, and finally here we are!

I clearly remember when Kevin and Aniol came one day with several game ideas, and then Kevin explained the idea of Nihilumbra. I started to imagine many things about how that world would be, the amazing journey the player would live. He had the monsters design very clear in his mind and I quickly shaped in my mind the main aspect for the landscapes. The world Kevin had in mind at the beginning was designed to emphasize the use of the paintings, so it lacked colors, the characters were silhouettes, quite Limbo-esque. But I thought that the player should be able to feel the inmensity of the world like Born feels it, and also perceive colors, at least a bit, in some way, so I suggested the usage of expressiveness and plasticity of painting to illustrate the scenarios. Born is a character that begins his existence at the beginning of the game. He is not capable of fully understanding the world that surrounds him. He’s especially fascinated with the colors that he finds, but he can’t really assimilate them properly, like he was colorblind. I thought that we could represent that giving the colors a special importance in the backgrounds while keeping them desaturated, so every world Born visits is somehow pervaded with the predominant color of that world (blue with frozen cliffs, green with the living forest, etc). I took Kevin’s initial idea and developed it so the art fitted with Born, the story and the atmosphere. In the following images you can see a few concept arts Kevin showed to the team to start thinking about how the game should look like.

I loved that I didn't need to change a lot of things we did on the original Photoshop concepts to what was finally included in the final game (textures, etc). This is something I really appreciate and I thank our dear programmers because they did a great effort to make it possible.

Aniol is very analitic and persevering, loves to look at things from every possible aspect.

Pol is a really patient guy, I remember that I loved the particle, weather and special effects he did at Nihilumbra. He is also good at estimating the time that a technical task will take.

Kevin is always in the journey of self-improvement, he plays tons of games to analyze them and try to learn from their good and bad design choices.

Suey is a really down to Earth guy and always loves to work the extra mile, improving the performance of the game code. 

Jordi is a very passionate guy, super perfectionist and critic with his own work (also with others' work, but always auto-critic himself first). I like how he likes to learn new things by himself and love the day to day routine, when we share thoughts and cooperate the best we can.

Jesús is very perservering, love how he likes to learn from everything and also very good talking and getting to know people. 

And about me, I can say some of my virtues are I'm persevering and also put tons of effort into making everything as perfect as possible. Those virtues can turn into weak points when they go too far, so I try to learn to say "stop improving something that's already very good", and also while most of the time I'm optimistic and cheerful, I have to control my bad-temper from time to time.

Megamagic story is not as abstract and philosophical as Nihilumbra’s, also at an artistic level it presents a lot of new challenges. My work on the game is focused on environments and backgrounds, in this case the game is really happy and colourful. Conceptually I like how crazy it is, the mixture of very different cultural influences, films, cartoons, comics, etc. I really love the freedom I have to create things from my own imagination.

This week we start our interview to Lourdes Nicolich, artist and co-founder of our studio. In this first part you will know more about her gaming background. Her life with games is really intense and she also has a great memory, so be prepared for an amazing travel back in time!

Lourdes: Almost could say I literally was born surrounded by video games. My parents loved them since the very beginning, even before they married they were absolutely fascinated with the first arcade machines. So before I was born they already had played Pong and Space Invaders arcades, then bought a Coleco-Vision! 

As I was growing up I found out they had bought an Amiga and an arcade cabinet. My father installed some kind of connectors on it that allowed me to play Amiga games like if it was an arcade. I remember it was on that Amiga computer and with those arcade joysticks where I beated the first Prince of Persia!

We also had an MSX that worked with a cassette tape. Each game we wanted to play on it took a really long time to load! Many times the game would hang during the process, so my father, with  infinite patience, had to use a screwdriver to try to re-adjust the cassette and plug it again. 

Something curious I strongly remember is each and every title screen from each of the games we played at the time. Since I was a small kid, I unconsciously received the influence of my mother's passion for crafts and drawing. Always got  astonished looking at those pixel art screens, they made my imagination ran free! One of the most memorable title screens for me was the one from Mad Mix Game, a Spanish game inspired by Pac Man. In that cover it seemed like the character was getting its own life and he wanted to jump out of the screen. 

Another games I fondly hark back to are:

You can get in touch with Lourdes on Twitter, she is @llEvadne

Other interviews: 

Aniol: About the videogame industry, I have to say at the beginning we were a bit skeptical about how successfully commercial an indie game could be. Everyone was talking about casual and social gaming for mobile and Facebook, but after our experience with Nihilumbra (that's making a game we would love to play as traditional videogame players), things changed very favorably! Now we trust that keeping our efforts and passion, we can make our own road as part of this vibrant indie scene.

J: Nowadays, BeautiFun Games has grown and added three members more, so it almost doubled its size since it was funded, back in early 2011. How those changes have affected your roles at the company and what are the biggest challenges you faced?

A: I started to work as a producer without noticing that "producer" was the name for that kind of task. Focused on coordinating everyone's work so we all can get all done with the least possible delay. I also make sure that the result has the level of quality needed. More than order "what" we have to do, my main task is about the "how" we have to do it and what to change in order to get it on time.

About challenges, as programmer, I think one of the most difficult situations we had to face happened while developing Nihilumbra. Firstly getting used to work with the tech capabilities of a cellphone, since we couldn't read the textures from scenarios pixel by pixel, we had to sort-of invent a method using tables in RAM memory. After this issue was solved, we had to program the game physics and also create a realistic "painting effect" when the player touched the screen.  The painting effect was specially tricky, since we had to recur to use polygons to represent paint stains, also those polygons had to be small enough in a way when the user is painting close to any surface border, there won't be any stain "half floating" where that border ends. Something curious that not many people know is that we had to add a limit to the amount of painting you had in the game. The purpose of this feature was to avoid a potential performance slowdown if the player started painting -filling with polygons- on all the surface available.

A: Surely we could have chosen an easier path to go and try to avoid facing those challenges, but in the end we followed the hard path since we believed that those features were sort of unique and nobody had technically created such experience with a touching device until that moment. In addition, the gameplay demanded it and it made full sense to all of us. Finally, we got our effort rewarded with good sales, and it was not only because of the technical achievements in the game, I believe it was thanks to the combination of great art, level design and narrative.

A: I specially enjoy the starting and closing of projects. To create a solid technical base, and then polishing the details during last weeks of the development.

A: A videogame project is subject to many changes, that means you may need to adapt the implementation of some parts of the game depending on the variable needs of an artist, the game designer or even the musician. So to try to diminish the negative impact those changes have, as a programmer you have to code in a very tricky and strategic way with the goal of making your code as reusable as possible. This hability is very important here at BeautiFun Games, because our projects main direction are driven by the artists and designers, more than the programmers.

A: We received messages from people telling it was the best iOS game they ever played, that was mind-blowing. Also we got great comments about the PC version, something amazing who nobody expected was a fanart by a Russian fan called "~Nemesis~fierce", it mixes both universes from Nihilumbra and Journey! It is been a true honor to be compared with ThatGameCompany's masterpiece.

We try to leave a mark in gamers, like those movies you remember for a long time, if we achieve that, that will be a success.

A: About Pol, as I explained before, I met him before thanks to our shared fondness for poker, but it was a coincidence that he also entered the same Videogame Development Course as me. In that same course I met Lourdes and Kevin... for the final project Pol went to work with Kevin's group and Lourdes was in the same working group as me. So it was only a matter of time until the core team of BeautiFun Games was born. 

A: Kevin always gets his way. That's not a bad thing, because I always put a lot of spokes on his wheels, and consequently we end up approving only the best of his ideas.

Pol is always making your day easier, he hasn't only good mood, he also knows when is the best time to use it. 

Suey works hard as hell, always running the extra mile to make a project go forward.

Lourdes is kind of a mother for everybody. I know it may seem weird to you, but its somehow like that. Aside of working really hard, she also takes care of the whole team. Something that makes her unique is that she is very versatile, working with the same passion on scenarios or an options menu.

Jordi is the fastests hand in the painting western! In a very short time he can draw something amazing.

And lastly you, Jesús, I think one of your best qualities is to be insistent and always wanting to get to the heart of each matter. I think that is a very good, since your job is to be like an explorer, somebody who stays alert about what we can do to spread the word out about our games and the studio, and at the same time putting an eye on the community to get feedback about how the world feels about us.

A: I would say I work too much and also some people from the team tell me I have the bad habit of being tedious because I always remind them what is left to do. But I need to be like that, to try to establish a discipline that can be valid for everybody and some common rules in the team. This is the only way that, in the end, the processes will be streamlined. So my bad quality can be also my best one, since the purpose of that insistence is always to facilitate the work to others.

A: I can say we are going to showcase a few things about the game this March. Megamagic is nothing like Nihilumbra, well, somehow yes, since magic powers will be key. Gameplay-wise, it is going to be a mixture of action-RPG Zelda-like games and strategy mechanics... and also tons of awesome Magic! Won't be as dark and depressing as Nihilumbra, but we can warantee that the same "spirit" will somehow remain there. As it happened with Nihilumbra, we want to make the game accesible to all kinds of audiences. From the beginning, we will consider the casual and the hardcore gamer experience. Sorry, I cannot say many more things at the moment. 

A: Nihilumbra was a closed title, and we don't discard a sequel at the moment. With Megamagic we are creating a world that we can expand in this and future games, so all the feedback we get along the development process will be used to try to improve the experience.

Today we start a series of in-depth interviews called "The BeautiFun Team Stories" in which members of BeautiFun Games will be talking about their past, present and future from quite a personal perspective. Jesús Fabre, our community and PR guy, will be doing and publishing one of them per week. So lets start with Aniol Alcaraz, our producer and one of our programmers, talking about how BeautiFun Games started, back in 2011.

Aniol: At the beginning we were only four people, and our most important goal was developing Nihilumbra, so we put all our efforts in that task. We needed an extra artist so hired Freya Horn, and that new addition to the team changed a bit the rhythm of our daily work. Somedays she came to the office, where we commisioned her the tasks she had to do and the rest of the days she was drawing at her own art studio.

When Nihilumbra's development was in the final stages, we thought our workload was slowing down, but no! We needed to prepare all the marketing material, send out press releases, answer tons of emails, etc. It was a super busy time! Then we started to work on our new project, and in paralel we were porting Nihilumbra to other platforms. Now with the recent success on Steam Holiday Sales and having our next project Megamagic on track, we can say the studio is enjoying one of its best moments ever! We proved ourselves we can make a living out of our games, and that makes us really excited about what this 2014 holds for us!

Nihilumbra's BeautiFun Games team back in 2011

A: Nihilumbra was expected to be finished in four months, but we didn't fully closed the project until the fourteenth! That was because we were unexperienced, but also its a proof of our philosophy as studio and an important factor that has brought us to be still here today: try to polish things to the maximum until we are truly satisfied with the result.

A: After some weeks of meetings, most people started to leave for several reasons. Ones found a job, others started to lose interest, and finally we were four people left, but still had the big problem that is the lack time to develop any full game with no money. Then I suggested I could invest my own savings to kickstart the studio. That phrase was something nobody was expecting, but as they gladly accepted, I did what I promised and in a month BeautiFun Games was born. Only four people composed the team: Pol, Kevin, Lourdes and me. We were quite lucky since we started seriously as studio once we had covered almost every position we needed, and also we were filled with lots of passion and dedication!

A: "Once Upon a Night" was an ambitious project, clearly remember it was a hell of a work when we tried to close it. We used Ogre Engine, coding was done in C++, we had AI, shaders, I think they were too many new things to deal with at the same time! The main hurdle we faced during that project was the lack of coordination and timing. In addition, and as an advice to students that may be reading this, I would recommend everyone who is doing a game development course to always experiment with new ideas, and when it comes the time to create a full game, try to work on the features that can showcase your skills the better.

Also, one curious thing I discovered in that course was the role of the game designer and how important the design is as a discipline on its own. I clearly remember when Kevin (our writer and game designer) came up with a full design of a game he had been working at home, and that later became "The Creature".

While doing the MD course, one of the most important things I learned was how to technically polish a project and prepare it to reach the market. Also I enjoyed -aside of the game programming related subjects-, the 3D design and animation classes, in spite of not being my area. As programmer and producer it's always beneficial to know how this works in order to adapt yourself  in the best possible way to the particular difficulties that can emerge.

A: Since I was a very young kid I loved to play card games and board games. Was pretty good at one in particular called Magic, so started to participate in several qualifier tournaments for the World Cup. If you were good enough and got in, they flew you to the States to play with the best players worldwide, that was really a great experience! 

A: Then a few close friends noticed that some Magic players were jumping into Poker, and convinced me to try it along with them. The first thought that came to my mind was that negative and dark image we all have from movies of mafia guys smoky rooms. But I started reading some books and found out it could be done if I practiced a lot. So decided to try it seriously and after a few months our team was progressing quite well in the tournaments. Up to the point that we earned quite a good money and even found an sponsor that covered all the costs to be in the European Poker Series, live tournaments... so I kept playing until I started the videogame development Masters Degree.

I want to remark that Poker is hard, you need lots of practice, and also enjoy playing it is a must if you want to win. I kept studying my Computer Science degree and playing Poker, until I finished my degree, and a bit later I decided I didn't want to play Poker for all my life, as wasn't enjoying as much as when I started and also didn't win or lose anything that year. In Magic, every now and then you can see new cards being released, but in Poker, in spite of being a deep and complex game, there was a point where it was too repetitive for me. So I started losing the enthusiasm, and in consequence decided it was better to quit and take on new challenges.

I know it is hard to find funding for your game. You need to find out how to convince your potential investors to believe in your project and that, if they put money, its gonna make them get enough profits in return. Easy to say but hard to do, but never impossible, Aniol admits.

I cannot find the concrete reason why I decided to start studying Computer Science... As I loved games, I always loved computers too. When I was 13 or 14 years old (that's around 1999), I remember having developed a website where I posted game reviews. Also, due to my passion for videogames, I started to learn programming since my dream was to create my own game. I developed my own version of Mastermind, the problem was that I didn't know function parameters existed and it was quite harder than it could have been! -Aniol laughs- the programmers reading this surely will know how needlessly hard that was.

A: Videogames entered my life thanks to a Game Boy with two cartridges: Tetris and Teenage Mutant Ninja Turtles 2, both of them really good! I also had a Nintendo 64. I remember Super Mario 64 was one of the games I was more impressed with. I loved those 3D graphics and how fluid everything was handled on screen, even today the game keeps its charm unbelievably well. But if there is a game from my youth that left me the most memorable times, it undoubtedly is Super Smash Bros and its multiplayer mode. You can imagine how exciting and disputed every match was when I played with my friends, whom I also played Magic and Poker with. That was real rivalry!

Maybe, after the titles I said, you can think I was a big Nintendo fan, but not really! For example, I never had a Super Nintendo, since I was enjoying my Mega Drive. I remember playing Sonic games a lot, specially Sonic & Knuckles with Sonic 3 (by the way, at the office we still listen to Sonic music, Chemical Plant FTW!). Remember the originality and freshness of Dynamite Headdy or Streets of Rage with its amazing multiplayer. Also I had a PSX, where I played gems like Wipeout, with its amazing soundtrack that fits perfectly with the frantic gameplay and it's futuristic universe. More games I truly enjoyed are Final Fantasy VII, Tekken, I can tell you I like practically every game genre, as long as the game is well made!

A: My background as a gamer helps me a lot, makes it easier to visualize if something I program will work once added to the game. Also, like everyone, I have game ideas. Here at BeautiFun we listen to Kevin's (sometimes crazy) game ideas and then everyone of us adds his personal touch to the main purposal.

J: Curiously, Aniol is not the only Magic and Poker player in our team...

[The rest of this interview is available in Part II, where Aniol talks about the hardest technical challenges at Nihilumbra, and also will give us his feedback about the rest of the team and our future project, Megamagic.]